By Rafeaton Fauzi, Hasliza Abdullah & Seow Siew Ling
JustReadOnline TV, May 12 2017
Full
transcript
Narrator:
Who has not heard about the legendry princess of Mount Ledang. Almost every living
soul in Malaysia knew the story about the beautiful princess who set to be able
to change to look a bit protect the mountain. Ancient history and myth described
the Mount of Ledang as being a site of rich gold deposit which alert orient
traders. Interestingly today, the story of journey made by Malacca Sultan
toward to convey the marriage proposal to the Princess of Mount Ledang and the
discovery of enchanted garden as told in the Sullalatus Salatin or the Sejarah Melayu are translated in the form
of songket paintings. The idea to put songket on canvas was muted local artist
Faizal Sidik, who is also National Visual Art Gallery curator. In his paintings
Faizal combined craft and traditional literature and manage to revised the
mystery and described the beautiful
scenery scene by Tun Mamat and the Admiral were passing thru the enchanted
garden during the mission to proposed the princess for the sultan. The
mysterious and enchanted garden came alive the reason Faizal Sidik a month long
solo exhibition held at Museum of Asian Art, University Malaya Kuala Lumpur.
The ‘Faizal Sidik : Songket Paintings’ exhibition showcased over 50 paintings
produced by the artist from the year 2010 to 2016.
Faizal
Sidik: There is a scene in which a vassal of Sultan, Tun
Mamat and Admiral for up to Gunung Ledang, be in for a ride on Gunung Ledang he
came across a enchanted garden. So my songket paintings is inspired from the
enchanted garden.
Narrator: The
solo exhibition were also adaptation from Faizal concern of Sejarah Melayu
manuscript which copies may preserve at main libaray in the world such as in
London, Netherland, Jakarta and Rusia. Songket paintings on canvas are also the
continuity of traditional and contemporary paintings using
motive of star flower, flowe cape, sunflower and cloud. Faizal Sidik is
hardworking and focus to his studies and sensitivity in understanding fine art,
especially relating to nature and monarchy. His paintings are pale of tradition
Malay literature as a medium communication supported by the visual technique of
songket weaving as symbol borderless of aesthetics value. Looking back into a
frame of time, the Petaling Jaya born artist has been going beyond the borders
to find new idea for his art and to uplift the status the national arts and
heritage including to Berlin, Rome and Venice.
Faizal
Sidik: I think that we actually have to ask again who are
we? Where were we came from?. The point here is that we do not have to produce art
work as they (the West) because it is only suitable for their climate and atmosphere.
My inspiration come from Southeast Asia, I think so many thing that we can
sharing to public from songket as a craft
tradition.
Narrator:
Apart of organizing solo and group exhibition, Faizal is also active in
curating art shows and writing articles for catalogues, newspapers, magazines
and blogs. For sure the collection of songket paintings on canvas by Faizal
Sidik is a continuity of tradition in contemporary paintings. Songket painting
like this not only capable of giving a new dimension in the national visual art
industry but also showcasing the uniqueness and creativity of local artist.
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